1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.   Related Paintings of Frederic E.Church :. | Looking Southwest over Church s Farm from the Sienghenberg | Rooftops at Sunset,Rome,Italy | A Coast Line in Jamaica,West Indies | Twilight in the Wilderness | Study for The Icebergs |
Related Artists:
Osthaus, Edmund Henry
American, 1858-1928
Moore, Albert Joseph
English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
Leon Augustin Lhermitte
(1844 - 1925) was a French realist painter and etcher whose primary subject matter was of rural scenes depicting the peasant worker. He was born in Mont-Saint-Pere. A student of Lecoq de Boisbaudran, he gained recognition after his show in the Paris Salon in 1864. His many awards include the French Legion of Honour (1884) and the Grand Prize at the Exposition Universelle in 1889. Lhermitte died in Paris in 1925. Lhermittees innovative use of pastels won him the admiration of his contemporaries. Vincent Van Gogh wrote that eIf every month Le Monde Illustre published one of his compositions ... it would be a great pleasure for me to be able to follow it. It is certain that for years I have not seen anything as beautiful as this scene by Lhermitte ... I am too preoccupied by Lhermitte this evening to be able to talk of other things.e Lhermitte's etchings and paintings are housed in museums around the world including Boston, Washington, Chicago, Montreal, Brussels, Rheims, Paris, Moscow and Florence.